Friday, November 22, 2013

Ender's Game (2013)

Young Ender Wiggin is recruited by the International Military to lead the fight against the Formecs, a genocidal alien race which nearly annihilated the human race in a previous invasion.

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(screenplay), (based on the book Ender's Game by)

Stars: 

, , Hailee Steinfeld



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This entertaining adventure features a boy called Ender who is a sci-fi mixture of Harry Potter and Lord Blakeney, the 11-year-old midshipman in Master and Commander sensationally promoted to captain. I assumed it had been adapted from some tweeny/young adult series of recent vintage; it's actually an updating of a chunky 80s bestseller by Orson Scott Card, an author now controversial for his creepy, reactionary political views. Ender (Asa Butterfield) is a brilliant teenage military recruit who lives in a future in which Earth is under threat of attack. Our leaders find that only computer-literate teenage boys have the necessary gaming skills and killer instinct to command hi-tech defence fleets. (Teenage girls are allowed to be good at it, too … kind of.) Ender has to master Quidditchy war games and full-rig battle simulations, and forms a platonic tendresse for female recruit Petra (Hailee Steinfeld) who is his Hermionesque BF. As his Napoleonic brilliance and ruthlessness emerge, he is promoted by the boot camp leader, who is Graff by name, gruff by nature and played by Harrison Ford. He is moreover mentored by enigmatic Zen teacher Rackham, played by Ben Kingsley with a startling Maori face tattoo and an entirely absurd New Zealand icksint. The movie's apocalyptic finale indicates that it's bitten off considerably more than it can chew in terms of ideas, but it looks good, and the story rattles along.


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Summary:


After the movie trailer my anticipations were much higher than the real result of the cinema movie. The hole action scenes were shown in the trailer, for that there was not much suspense in this 2 hours. But the storyline was interesting and the actors were good, so a little .....






Box Office:


Domestic Total as of Nov. 21, 2013: $55,218,473
Distributor: Lionsgate/SummitRelease Date: November 1, 2013
Genre: Sci-FiRuntime: 1 hrs. 54 min.
MPAA Rating: PG-13Production Budget: $110 million


Reverences:

www.imbd.com
www.theguardian.com
www.youtube.com
www.boxofficemojo.com

Sunday, November 3, 2013

Thor: The Dark World (2013)

Faced with an enemy that even Odin and Asgard cannot withstand, Thor must embark on his most perilous and personal journey yet, one that will reunite him with Jane Foster and force him to sacrifice everything to save us all.

Director:  


Writers: 

(screenplay), (screenplay),

Stars: 





Story:


The release of this silly but enjoyable new movie based on the Marvel superhero Thor, the ancient god of thunder, has triggered an extraordinary explosion of Thor-related puns online. Thousands of critics and bloggers all over the world have been competing to get in the best Thor joke. They have wondered if our troubled hero is entirely Thor about his destiny. They have noticed that certain things are a bit of a Thor point with him. They have remarked that bad things happen to good mythic superheroes, Norse the pity.
This week, I became convinced that I had the best one: the supervillain that Thor should really face is … Mr Freeze. Thor, thaw, geddit? Look upon my matchlessly crafted play on words, ye Thor punsters, and despair. Yet the weird thing is that Thor really does appear to have ice-related opponents, the Frost Giants, leading me to wonder what is happening in the subconscious, psycho-linguistic levels of Stan Lee's mind.
The 27-year-old Australian star Chris Hemsworth plays the mighty thunder god himself, with flowing locks, and tungsten-hard abs. Up there in the halls of Asgard, this divine hothead is impatient with his wise, sonorous old dad Odin, played by Anthony Hopkins. Odin favours a Chamberlainesque peace with the Norse gods' ancient, malevolent enemies, the Frost Giants, despite the fact that these low-temperature villains have recently made a provocative trespass on to Asgard. Thor wants to get in there and kick some arse, to the unease of his prickly brother Loki, played by Tom Hiddleston.
Impetuously, irrepressibly, and without anything approaching a patriarchal say-so, Thor leads a posse of Norse god mates over the ancient bridge and prevails upon the Asgard gatekeeper, Heimdall, played by Idris Elba, to let them through, so that they can parley with the subzero baddies in their own icy domain. Inevitably, a fight kicks off and to punish his errant son for his diplomatic bêtise, Odin exiles Thor to earth where he is stripped of his powers, and must earn the right to regain them, and to wield his mighty hammer, Mjolnir, which has plunged down to earth with him. Like Excalibur, this can only be pulled out of the earth by a worthy candidate and so, like a fish out of water, or indeed like a Norse Crocodile Dundee, Thor must make sense of Earth, and he must also get it on with gorgeous earthling scientist Jane Foster – played by Natalie Portman – whose Scandinavian mentor (Stellan Skarsgård) tutors her in Norse myth.
Returning now to Stan Lee's subconscious mind, the Freudian implications of Thor's mighty hammer are plain enough. But ever since I bought the first UK edition of Spider-Man Comics Weekly in 1973, in which Thor was an eccentric supporting turn, I have wondered about that little leather strap that goes on the end of the handle. This is, presumably, to make the hammer a hands-free device. Thor will sometimes need to do things with both hands; it would be a bore to keep having to put the hammer down, and he scorns a Batman-style utility belt. So, as a child, I always expected a scene in which Thor was, say, queuing up in a canteen holding a tray with Mjolnir dangling mightily from one wrist. These former thoughts came back into my mind watching this – though at no point does Mjolnir's design-feature, the strap, actually get used. Perhaps when Thor 2 comes out, we will see him loop it round his hand for added crime-fighting convenience.
This movie is directed by Kenneth Branagh, and it is interesting to consider how, or if, this very intelligent and now unjustly maligned director has put his personal mark on the picture. I think he has, in the interesting way he has directed British newcomer Hiddleston in the ambiguous role of Loki. Hiddleston is a performer who came to prominence in the art films of Joanna Hogg, Unrelated and Archipelago. Making the leap to a commercial mainstream movie, it would have been very easy for Hiddleston to play Loki pretty much as a typical villain. But Hiddleston makes of this cartoon character something interestingly complicated: his Loki is nervous, sensitive, thin-skinned. Most of the Norse god characters stand around as if they are nothing more than action figures, but Hiddleston is trying to do something more. Inevitably, these nuances get a little lost in the mega-decibel thunder, but they are there, nonetheless. Now is the time for Branagh to direct another Shakespeare. My suggestion is Timon of Athens, with Hiddleston in the lead.
This Thor can be entirely ridiculous sometimes, and the world of Asgard does look sometimes like the digital universe of Tron, in the recent dodgy update. It underuses actors like Jeremy Renner and the Japanese star Tadanobu Asano in minuscule roles. But this is entertaining stuff, a serviceable summer movie and Asgard to be a good thing.


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A nice action movie with sympathic main actors. A lot of action and an intersting story. If I saw the film just in HD I will give 5 stars, but I saw the movie in 3D and there were less 3D-effects, so I draw down one star. But last not least it is a great ....






Box Office:


Distributor: Buena VistaRelease Date: November 8, 2013
Genre: Action / AdventureRuntime: 2 hrs. 0 min.
MPAA Rating: Not Yet RatedProduction Budget: N/A


Reverences:

www.imbd.com
www.theguardian.com
www.youtube.com
www.boxofficemojo.com

Wednesday, October 30, 2013

Jackass Presents: Bad Grandpa (2013)

86-year-old Irving Zisman takes a trip from Nebraska to North Carolina to take his 8 year-old grandson, Billy, back to his real father.

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(story), (story)

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After the stereoscopic shit and spew of Jackass 3D, this stupefyingly unfunny dirge slumps into hackneyed Candid Camera territory, presenting a series of "skits" strung together with a narrative that commits the twin crimes of being both coarse and sentimental.
Johnny Knoxville dons the ageing makeup as Irving Zisman, an octogenarian widower with his wife's body in the trunk and grandson on the front seat of his car, roaming across America showing his rubbery scrotum to all and sundry. After 80 minutes of sub-Borat dick-jokes (and "jovial" harassment of women), we get a beauty pageant finale for which the makers of Little Miss Sunshine should sue. Secondhand gags, third-rate execution, fourth-rate results.
Perhaps in acknowledgment that they're getting too old for masochistic tomfoolery, the Jackass crew mix up the formula – by getting even older. Regulars will be familiar with Knoxville's Irving Zisman persona, and the theory that you can get away with anything if you're disguised as a lecherous, liver-spotted old coot is taken even further when Zisman reluctantly takes a road trip with his chubby nine-year-old grandson, with hidden-camera gags along the way. Sacha Baron Cohen's Borat set the bar very high for this type of narrative-driven prankery, and in comparison, Bad Grandpa comes across as disjointed and aimless. Having said that, some of the pranks are awfully funny, putting lewdness and prosthetic body parts in places they're really not supposed to go, such as funeral parlours, child beauty pageants and, most memorably, an Afro-American "ladies night".


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Summary:


I think there are two different possible reviews, one for the mtv kids generation and one for the rest of the world. For the second ones it  will be a WhatShit, but most of the cinema-visitors are in the first group and so there is a .....






Box Office:


Domestic Total as of Oct. 29, 2013: $37,760,052
Distributor: ParamountRelease Date: October 25, 2013
Genre: ComedyRuntime: 1 hrs. 33 min.
MPAA Rating: RProduction Budget: $15 million


Reverences:

www.imbd.com
www.theguardian.com
www.youtube.com
www.boxofficemojo.com

Cloudy with a Chance of Meatballs 2 (2013)

Flint Lockwood now works at The Live Corp Company for his idol Chester V. But he's forced to leave his post when he learns that his most infamous machine is still operational and is churning out menacing food-animal hybrids.

Directors: 


Writers: 

(characters), (characters),

Stars: 

, , Will Forte




Story:


The bizarre animated hit from 2009 in which food rained from the sky as the edible apocalypse approached played out like the kind of kids' movie David Lynch would have made had he not been so busy fooling around with the animated segments of Eraserhead.
While this follow-up may lack the "WTF?!" head-scramble of its predecessor, it still gets a surprising amount of mileage out of the invention of "foodimals" – food/animal hybrids that roam the hallucinogenic landscape like the inhabitants of a snack-based Jurassic Park. Never smile at a Taco-dile! Don't step on that Apple Pie-thon! Keep out of the way of the Hippotato! If you don't find those puns funny, then there's nothing for you here – certainly not in terms of coherent narrative. But for anyone wishing to tickle the tummy-buns of a Double Bacon Cheespider, there's a menagerie of colourful mutants to distract your attention from the absence of anything more substantial.


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Summary:

An animation movie for kids and for all young-at-heart. If you like word-plays and you dont take the movie too serious you will have much fun during the show. A film dont have to be always full of action and fast cuts, much blood and many explosions, sometimes you get the right relexation in a cartoon-movie, so my suggestion is.....






Box Office:


Domestic Total as of Oct. 29, 2013: $101,400,992
Distributor: Sony / ColumbiaRelease Date: September 27, 2013
Genre: AnimationRuntime: 1 hrs. 35 min.
MPAA Rating: PGProduction Budget: $78 million


Reverences:

www.imbd.com
www.theguardian.com
www.youtube.com
www.boxofficemojo.com

Thursday, October 10, 2013

Gravity (2013)

A medical engineer and an astronaut work together to survive after an accident leaves them adrift in space.

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Spare a thought for the hapless delegates on day one of the Venice film festival. They're scanning the schedule, colliding on the stairwell and clearly struggling to find their feet and get their bearings. The opening movie offers no comfort at all. When the lights go down inside the cinema, the viewers are pitched, without further ado, clean out to the cosmos. All at once their nearest neighbour in the adjoining seat might as well be a thousand miles away.
Gravity, by the Mexican director Alfonso Cuarón is a brilliantly tense and involving account of two stricken astronauts; a howl in the wilderness that sucks the breath from your lungs. Sandra Bullock and George Clooney star as Stone and Kowalsky, the skittish newcomer and the wily old pro, who find themselves battered by the drifting debris from a Russian satellite. Their shuttle is holed and useless, its interior full of floating corpses, and Houston steadfastly refuses to copy. Stone and Kowalsky's only hope is make their way across the void to the international space station and possible salvation. But they're lost in the desert, wafting in orbit; each spinning and turning as they grope despairingly for the hand of a friend.
Across the void ... A still from Gravity. Photograph: Universal Pictures/Allstar It could be claimed that Cuarón has thrown a similar lifeline to the Venice film festival, which last year got off to a stuttering start courtesy of Mira Nair's well-meaning yet half-baked The Reluctant Fundamentalist. Gravity provides an altogether more assured curtain-raiser. It comes blowing in from the ether like some weightless black nightmare, hanging planet Earth at crazy angles behind the action. Like Tarkovsky's Solaris (later remade by Clooney and director Steven Soderbergh), the film thrums with an ongoing existential dread. And yet, tellingly, Cuaron's film contains a top-note of compassion that strays at times towards outright sentimentality. Stone, we learn, is haunted by the death of her infant daughter. She has scant seconds to decide whether she wants to live or die.
'The skittish newcomer and the wily old pro' ... Sandra Bullock and George Clooney in Gravity Maybe it's fitting that a film about two lonely figures adrift in outer-space should itself be dominated by the cosmos. Clooney and Bullock give dogged, decent performances here, but they are inevitably shouting to be heard; utterly at the mercy of forces beyond their control. Cuaron takes the two stars and stitches them against a vast canvas of roaring sound design and terrifying 3D visuals. Ruined satellites pitch and yaw. Shrapnel zips through the darkness like shoals of silver fish. As the screening wraps up, the delegates are politely instructed to return their spectacles to an usher and not leave them on the seat. Gravity, after all, offers a stark warning of the dangers of debris, clutter and human waste. With a little good fortune, even the 3D glasses will eventually find their way back home.


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Summary:


Great pictures from the earth and the cosmos ist not enough for an interesting and recommendable movie. The story line is far-fetched, so many accidents, so much bad luck is not even beliveable in a cinema movie. Two stars for the great pictures, but all in all ....






Box Office:


Domestic Total as of Oct. 9, 2013: $73,788,739
Distributor: Warner Bros.Release Date: October 4, 2013
Genre: Sci-Fi ThrillerRuntime: 1 hrs. 31 min.
MPAA Rating: PG-13Production Budget: $100 million


Reverences:

www.imbd.com
www.theguardian.com
www.youtube.com
www.boxofficemojo.com